The beautiful city of Ravenna, on the East Coast of Italy, in Emilia-Romagna, sits between Venice and Rimini, but is less crowded than its more famous neighbours. Once, however, it was the capital of Italy and one of the grandest cities of Europe.

That was a long time ago, in the 4th and 5th centuries AD, after the most glorious days of Ancient Rome, when the Roman Emperors had moved to Constantinople and the Goths, those people we still think of as barbarians and vandals, had invaded Italy, and Rome itself had been sacked, or as we say, after it had Fallen. The invading Goths forced the Roman emperors to leave Rome and set up a new capital at Milan, but that too became unsafe from attack, so, in the year 402, the Emperor Honorius (384 – 423) moved his court to Ravenna to the south. He transformed what had been a small swampy town built on piles on a series of small islands in a marshy lagoon, like Venice centuries later, and inland from the Adriatic Sea into one of the greatest cities and ports of Europe. It is now linked to the sea by the 18th century Candiano Canal

As a schoolboy, I thought people knew that Rome had fallen because they heard the bang, but history is never that simple. Ravenna is an example of that. I came here in a very hot June 2024, not sure what I would find, but generally, as they say, wowed by what was here. If it is nowadays a very civilised and gentle place, its position on the Adriatic Sea, facing the more civilised East, meant that between 35 and 12 BC, the town became Emperor Augustus Caesar’s principal Roman port at Classis, where he stationed the Roman Fleet.

The ancient port is now a series of ruins displayed in an open air museum, a vivid reminder of the glory and the fall of Rome.

The place is now a pleasant suburb of Ravenna, called Classe, a short train or bus journey from the city. It has one of Ravenna’s most magnificent basilicas, a few shops and a trattoria. It also has a glittering and spacious new museum which recounts the history of Ravenna with excellently designed installations.

Rome did ‘fall’ but it didn’t disappear, it remained the official capital of the land we now call Italy, even after the capital of the Roman Empire became Constantinople. The problem had been those Goths, Visigoths and Ostrogoths, and, especially Theodoric the Great (454 – 526), the King of the Ostrogoths (Western Goths), the Goths’ supreme military general, who became the de facto King of Italy after a series of invasions and skilled diplomatic treaties. He managed to become not only the conquering ruler of Italy but also its acknowledged ruler under the Roman Emperor in Constantinople. Was he a Barbarian? Well, most political leaders are barbarians, and he did his set of ‘bad’ things, but as he was also one of the most important figures in guaranteeing the continuation of Italian, and maybe European, culture after the so called Fall of Rome and before the rise of Charlemagne (748 – 814). Theodoric is important for us because he made Ravenna his capital and insured its magnificence much of which is still visible today.

If any of you are still thinking that those invading Goths were just rampaging barbarians, then you only have to visit the eight early Christian churches in Ravenna that are all on the World Heritage List. (See my next blog). The Ostrogoths were Aryan Christians, but let’s not go into the differences between them and the Orthodox Christians of Constantinople, or the Roman Catholic Christians of Rome, but, here in Ravenna, the three theological branches combined to produce, in the 4th and 5th centuries AD, some of the most magnificent surviving early Christian mosaics in the world history of art. Even if you are not interested in church history, or even any history, the sheer beauty of the art makes this place a must-see.

I will revisit these churches in the next blog because there is so much to see. I was lucky enough not only to visit all the sites, but to go to a concert held in the 2024 Ravenna Festival in one of those churches, the Basilica of San Vitale (547 AD)

The French early music group, Irini Ensemble, director Lila Hajosi, performed music by the great Franco-Flemish composer Guillaume Du Fay (?1397 – 1474) and a number of his contemporary Greek Orthodox composers, to celebrate and mourn the glory and then the fall of Constantinople in 1453. It would be difficult to find a more beautiful setting for this music. Here’s a video of them singing this music, not in Ravenna, but at the Abbaye de Fontfroide, Narbonne, France.

https://www.youtube.com/watch?v=P8uaW3AvSdQ

Guillaume Du Fay’s 15th Century music felt positively modern after being immersed the 4th and 5th Centuries. I had been immersed in the Ravenna of 1400 years ago and it was easy to forget that Ravenna didn’t actually go to sleep after its extraordinary era of world dominance. If there was any danger of me forgetting the many interesting and dramatic centuries of Italian history since the death of Theodoric the Great, then this poster for a wacky art show here in the city centre, soon reminded me of some other celebrated names in the story of Ravenna.

Ravenna is proud of the poets who lived here. Dante Alighieri (c.1265 – 1321), author of Divine Comedy (Comedia Divina) which was partly written and completed in Ravenna when he’d escaped Florence, his home town, after falling out with its rulers over his opposition to the Papacy’s plans to rule all the Italian city-states. He was to live and die an exile, a political refugee, in Ravenna, where he is buried. Another poetic resident was the Englishman, Lord Byron, George Gordon Byron, (1788 – 1824), the great Romantic poet who, in the spirit of romance, came to live here (1819 – 1821) for the love of a married woman, Teresa, Contessa Guiccioli, and where he continued to write his epic poem, Don Juan, but also his Ravenna Diary. Teresa had to return to her husband but Byron wrote to her of his, or of their, love:  

“I love you, and you love me,—at least, you say so, and act as if you did so, which is a great consolation in all events. But I more than love you, and cannot cease to love you. Think of me, sometimes, when the Alps and ocean divide us,—but they never will, unless you wish it.“

In 1822, he went to Greece where he died working in support of the Greek fight for independence and where he died of a fever in 1824.

Byron lived in a house that backed onto the Piazza San Francesco which is also the site of one of Ravenna’s great basilicas, the former Franciscan monastery, now the Basilica di San Francesco, where Dante’s funeral was held after his death from malaria in 1321.

The Basilica di San Francesco was built on the site of the original 5th Century church in 1261 when it was handed over to the Franciscans as a monastery. It suffered the fate of many Italian churches from that period by being given 18th century Baroque ornamentation. This was removed at the beginning of the 20th century in preparation for the 600th Anniversary of Dante’s death. It has restored the basilica to how it would have looked in the 13th century.

The Piazza San Francesco is also where I found the excellent Caffè Pasticceria Palumbo ://www.facebook.com/caffepalumbo/ a great place to stop and have a glass of beer and a cake, or even, of course, a coffee. The piazza is a good place to just sit in the sun or to find a spot in the shade to think about Byron and Teresa or Dante and Beatrice, or about anything you fancy. My walks round the city often led me here.

Classense Library, part of a Camaldolese monastery in central Ravenna, is an active civic and research library, one of the largest and oldest in Italy, and also the custodians of a uniquely complete collection of first editions of Dante’s works. The cloisters are also a lovely place to sit and read or to discuss university exams or just to sit and think.

Walking round the streets in Ravenna’s historic centre, there are, of course, restaurants and bars a plenty, but, one last Dante reference, I promise, you can also ‘Walk Ravenna with the Divine Comedy’, the Camminare Ravenna con la Divina Commedia – I loved this idea. At various stops along the way you can use the QR codes on your phone to stop and pause with extracts from Dante. Yes, Ravenna is a truly civilised place.

You can also stop and pause for a beer outside the Osteria Enoteca Ca’ de Vèn, or, better still, you could go inside for a fine meal based in Emiglia-Romagna culinary traditions. https://cadeven.it/

It was a very hot when I was in Ravenna, in June 2024, so it was not surprising that a drink al fresco was a popular pastime, not just for me. It was also possible to watch the football because Euro 2024 was in progress, and sadly, but philosophically, received here (well, this is Ravenna). On a humid night in the city’s main square, Piazza del Populo, Italy lost 1 – 0 to Spain.

In a street just off Piazza del Populo, is one of the best restaurants I found. Al Cairoli, in Via Cairoli, is friendly, stylish and the menu and wine list is gourmet class. It was a special experience – repeated.

https://www.yelp.com/biz_photos/osteria-dei–ravennahttps://ristorantealcairoli.it/

Like the nearby Basilica di San Francesco, the 5th century Basilica di Sant’Agata Maggiore was considerably altered by an earthquake in the 17th century, with the loss of most of its mosaics. In the 18th century, there were further changes with the addition of baroque ’embellishments’, mercifully, these were removed in the late 19th century and early 20th century and further restoration was needed in the 1960s and 1980s to remedy the near destruction of part of the church during the Second World War. The result in 2024, for all the losses, is a beautiful and uncluttered church with sensitive attention given to the many original details that were discovered from the original building. An excellent example of what can be gained by such skilful restoration of much altered monuments. It is an oasis of peace.

Not far from Sant’Agata, there is another fine but traditional restaurant on a quiet side street in central Ravenna, Via Cerchio. Trattoria al Cerchio is charming and welcoming with a friendly and hard-working staff, great food and, a special and unexpected treat, framed quotes from Virginia Woolf, Henry James, Oscar Wilde and Lord Byron on the walls. Most of the clientele, with few exceptions, were Italian and many seemed to be regulars. It felt like the real Italian experience, even with English and Anglo-Irish writers on the wall. This place is well worth finding. I went there often and stayed longer than planned having an altogether excellent time. https://www.facebook.com/trattoriaalcerchio/?locale=it_IT

On the Via Roma, not far from where I was staying, is the Museo d’Arte della città di Ravenna, MAR, where I caught an impressive exhibition of 20th and 21st century mosaics that proved, if it still needed proving, that Ravenna is still the true international capital of this art form. It was a surprise to me to learn that Ravenna’s twin city is Chichester, in my own home county of Sussex, where some fine Romano-British mosaics have been discovered. This twinning makes me doubly fond of Ravenna.

The 2024 Ravenna Festival sponsored the reorchestration of the American Minimalist composer, Philip Glass’s music for the third of his Qatsi Trilogy, Naqqoyqatsi (2002) when he worked with the American director Godfrey Reggio. Glass rearranged his score to be a closer match to his scores for the two earlier non-narrative films, Koyaanisqatsi (1982) and Powaqqatsi (1988) (the names comes from the Hopi language – qatsi meaning life). The three films were screened on three consecutive nights, with Glass’ Philip Glass Ensemble playing along with the solo cellist, Erica Piccotti, the Orchestra della Toscana, the Choir of Siena Cathedral and the Children’s Choir from the Accademia del Maggio Musicale Fiorentino. The veteran conductor, a long-term Philip Glass collaborator, was Michael Riesman. It was a thrilling experience to see these still adventurous and modernist feature-length films with such a large group of musicians performing live in the beautiful Teatro Dante Alighieri (opened in 1852). The three films, now wearing the same musical clothes, made their full impact when screened as a live and truly epic three day event.

The Trattoria Il Buon Gusto, just outside the old city walls on Via Cesarea, is a small, owner-run and excellent restaurant, a kind of casa da casa, home from home, with informal and personal service that is also very reasonably priced. It was also only a very short walk from where I was staying. A great place. http://trattoriadelbuongusto.com/index.asp#chisiamo ↗

The city of Ravenna is near but not on the Adriatic Coast – it’s a twenty minute bus ride away – regular buses for the beach go from the Railway station. Look for Marina di Ravenna and the journey is easy.

This was June and very sunny and hot, so I was surprised to find the beaches so uncrowded during the week – and not over-crowded at the weekends. The sand is white and soft, the sea blue and warm, so there was every reason to make the journey here even if you don’t want to try the Ravenna fashion for Beach Tennis. I went to Big Mamma beach – well it was near the bus stop – and it was civilised, friendly, with loungers and umbrellas, a friendly bagnino, and perfectly good food and drinks. The swimming was truly wonderful.

Apart from trips to the sea and a bus ride to Classe, everything was easily accessible on foot in Ravenna and walking round this lovely city was an interesting pleasure in its own right.

I was staying by one of the ancient gates in the city walls, Porta Nuova, some of which still stand. I felt at home almost straight away and even my usual habits, such as morning martial arts practice, could carry on up there on my roof terrace dojo.

I will write about the sensational mosaics in Ravenna’s Unesco World Heritage sites in the next blog – here is the link. https://wolfiewolfgang.com/ravenna-the-mosaics-essential-sites-and-sights-to-see/

I came to Ravenna for the mosaics, of course, but after the Ancient Romans, the Goths, and the others, I was excited to find so much more and to discover that Ravenna is still a cultural capital for many of the things we still value, or should still value in Europe.

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