Essential Elgar for a long journey across England

wolf01 — Thu, 14 Oct 2010 22:01:00 +0000

I am travelling across England today by train after a trip to Manchester for a centenary performance of Elgar’s Violin Concerto played, superbly, dramatically and tearfully by one of the new kids on the block in violin playing, Nicolaj Znaider in an outstanding partnership with conductor Mark Elder and the newly rejuvenated Halle Orchestra. Magnificent and memorable.

The concerto which is almost a symphony is part of a group of works that Elgar wrote at this time under the romantic inspiration of a beautiful woman called Alice Stuart-Wortley (see yesterday’s blog). That Elgar was in love is not really in doubt when you hear the music, in the concerto but also in the next work to come from his pen, the glorious Symphony No 2 and then in his less well known The Music Makers.

Edward Elgar (1857-1934)

When I lived in Manchester, I made this train journey South on many occasions but whenever I was travelling, by car or train, in those days, I would always play a recording, usually by Adrian Boult, of this symphony, one of my “Desert Island Discs. ” It speaks of England, the joy and agony of love, the end of summer and many other things. Elgar quotes shelley on the title page, “rarely, rarely cometh thou spirit of delight.” – it comes to me every time I hear this quintessential Elgar. I shall be playing it again today, on my iPod, but, in case you think that this is just a piece of English nostalgia, here is a performance of the first movement played by some inspired japanese musicians. Elgar is much more than a provincial Englishman.

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Nicolaj Zneider celebrates the centenary of Elgar’s Violin Concerto – the passionate record of a forbidden love.

wolf01 — Wed, 13 Oct 2010 22:01:00 +0000

Nicolaj Zneider

I am off to Manchester today for a concert at the Bridgewater Hall where, tonight, the brilliant and honey-toned young Danish violinist Nicolaj Znaider plays Elgar’s passionate Violin Concerto in its 100th anniversary year as part of his world tour performing the piece on the 18th century Guarneri violin that the legendary violinist Fritz Kreisler used at the world premiere in London’s Queen’s Hall on 10th November 1910.

Fritz Kreisler (1875-1962)

I have loved the piece since I first heard an old recording conducted by Elgar with the teenage Yehudi Menuhin playing the violin when he was probably my own age and I have always identified with its youthful intensity. I have always associated it with the kind of passion and emotion that the usual images of the great English composer appear to contradict. He was a shy man of extreme sensitivity and high emotion which, I think, is captured better in the picture below than in the images of the old “Land of Hope and Glory” composer that have misled so many people in their appreciation of his greatest music.

Edward Elgar (1857-1934)

The Violin Concerto has always been the subject of a dispute – who is the work’s mysterious dedicatee? On the score, Elgar wrote a dedication in Spanish which can be translated as “Herein is enshrined the soul of ………..” He leaves out the name and merely supplies a secretive set of dots. There are a number of candidates but no one thinks he was thinking of his wife. Most people now believe that he was referring to the daughter of the Pre-Raphaelite painter John Millais, a well-to-do and beautiful married woman called Alice Stuart-Wortley. They were certainly friends but, if the music is anything to go by, it was a lot more than a platonic friendship.

Alice Stuart-Wortley (1862-1936)

I have been playing around with some traditional poetic forms recently and decided to try my hand at some Elizabethan sonnets. Here, with all suitable apologies, is my humble offering – a celebration of the concerto’s centenary but also of what I suspect was a great but secret love affair:

Sonnet on the one hundredth anniversary of Elgar’s Violin Concerto

“Herein is enshrined the soul of” someone

(you wrote her name as a series of dots)

it’s one hundred years since that deed was done

for the veiled woman you never forgot.

Your musical dots were safer to write.

Passion, expressed in quavers and crotchets,

freed a shy spirit to soar in delight

lit by a love that had to be secret.

Enshrining her soul, you revealed your heart

and a carnal urge too thrilling to hide.

This lovers’ concerto, right from the start,

dares to rejoice in what custom decried.

Your violin is much braver than you,

it has shown the world what you kept from view.

I can’t play you Nicolaj Znaider’s version of the concerto, even though he has made a wonderfully romantic recording of it but here is that old Elgar-Menuhin performance made in EMI’s Abbey Road Studios in 1932. Meanwhile, I am off for a musical treat that I have been looking forward to all year.

The post Nicolaj Zneider celebrates the centenary of Elgar’s Violin Concerto – the passionate record of a forbidden love. appeared first on Wolfie Wolfgang.

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Essential Elgar for a long journey across England

Nicolaj Zneider celebrates the centenary of Elgar’s Violin Concerto – the passionate record of a forbidden love.