Volver

With this tragic-comedy, the great Spanish director Pedro Almodóvar wowed the Cannes Film Festival. Penélope Cruz, in the performance of her career, will wow everyone everywhere and not just with the brilliance of her acting.

Sexy village girl Raimunda (Penelope Cruz) keeps the food on the table in their small Madrid apartment without much help from her drunken husband (Antonio de Torre) or teenage daughter (Yohana Cobo).

Things go from bad to worse by way of a dead body in the kitchen before the ghost of her dead mother (Carmen Maura) appears to put a few things straight. Well this is a great Spanish film so don’t expect it all to make sense.

If you want to impress your friends remember that Volver means To Return and it is pronounced Bollbear.

They say:
Evening Standard: “Almodóvar is one of the very best talents in Europe and appeals to the widest audiences because, while he is intensely serious, he is determined to entertain.”

Daily Mirror: “So let’s get real for just one minute – Volver isn’t any great shakes. At all. It’s a distinctly ordinary family drama, enlivened only by a spirited performance by Penélope Cruz.”

We say:

This is a movie all about women – the few men who do appear, albeit briefly, only do so to demonstrate the strength of their sex drives and weakness of their wills.

The women on the other hand are formidable. All practised survivors in a world largely messed up by their men, they express the harshness of their lives through sardonic humour rather than self-pity and just get on with things whether it’s making lunch or disposing of a dead body.

Pedro Almodóvar revels in his observations of the female world: the deadly-serious precision of food preparation, the terrifyingly regimented fan waving of a crowd of mourning peasant women or the ritualized air kissing which can express any emotion from love to disdain with many subtle variations in between.

He loves women and, almost single-handedly these days, makes movies that not only celebrate women but also give them great acting roles. Penélope Cruz, looking like a modern day Brigitte Bardot or Sophia Loren, is simply brilliant as the beautiful, life-toughened Raimunda.

She fills the screen with the charisma of those Hollywood stars of yester-year whilst portraying a very ordinary but very real human being. She may never do anything as great as this again so it is a performance not to be missed. Whether it’s shaking that ass, allowing those pouting lips to burst into laughter or letting her fiery eyes well up with tears, she is always the magnetic centre of the film.

There are outstanding performances from the other women too. Lola Duenas plays Raimunda’s plain and gullible sister, Sole, with the wide-eyed incredulity of a Harpo Marx and Carmen Maura, a veteran of Almodóvar movies, is both touching and comical as the ghostly mother who may be able to haunt an entire village but who can still get stuck in the boot of her daughter’s car.

Almodóvar is of course a master filmmaker so this is not just a simple story of Spanish women folk, neither is it really a ghost story or even just a comedy. It is about all those big things – life and death, the power of the dead over the living and the pain and suffering that love brings in its wake. Its greatness is in its lightness of touch and its humane understanding of human vulnerability.

Its other great achievement is in the turning of a starlet into a star.

Spanish with English subtitles

Starring:
Penélope Cruz
Carmen Maura
Lola Duenas
Yohana Cobo

Director:
Pedro Almodóvar

Running time:
111 minutes

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